The atelier and gallery were transformed into a veritable museum by curator Nathalie Crinière. 30 Avenue Montaigne-Paris offers this: between works of art that mark the way and surprises in a varied itinerary of boutiques, restaurants, bars, and patisserie gardens designed by landscape architect Peter Wirtz in collaboration with architect Peter Marino. If indeed, cultivating beauty can serve, if not to save the world, at least to endure it in its less noble seasons. “Dramatic and powerful images are also what needs to be done to be able to concretely help those who are now most in need. ![]() “Of course, the current situation is painful and confusing and the war is not helping… It is particularly difficult for those who do not sell primary goods, but, on the contrary, feed dreams and desires, and inspire them to continue to do their work well” admits Pietro Beccari. It is assumed it will close the current year with 7 to 8 billion in revenues. As can be seen from the figures released by the American investment bank Jefferies Group: the French company would have gone from less than EUR 3 billion in revenues at the end of 2017 to EUR 5.8 billion in 2021. I won’t tell you the numbers, but just read the analysts’ estimates,” he admits, smiling with satisfaction. “We continued to invest even during the pandemic and despite everything, we have more than doubled our revenues in these four years. It’s a way of doing, of thinking, of working that always pays in the end,” says the CEO. See what The Guardian's Oliver Wainwright, The Observer's Rowan Moore, Vanity Fair's Paul Goldberger, The LA Times' Christopher Hawthorne, as well as the Architectural Digests' Mayer Rus, had to say about Gehry's latest completed building after the break.“You have to be brave. According to their website, they in particular embody "a passion for artistic freedom." How, then, has the enormous sailed structure, challenged by local opposition from the outset, settled into its Parisian parkland surroundings? Gehry's bold approach to architectural form, most evident in buildings like the Guggenheim Museum in Bilbao and the Walt Disney Concert Hall in LA, matches the foundation's aim to "promote and support contemporary and artistic creation" in France. The people behind Frank Gehry's Fondation Louis Vuitton (FLV) in Paris, which is set to officially open on the 27th October 2014, recently invited a band of architecture critics to take a look around and pen their thoughts. The art museum is yours for around £100 million, though some speculate that it cost much, much more.įondation Louis Vuitton, Paris. Gehry’s new Fondation Louis Vuitton has just opened in Paris and he is the man of the hour, so it seems obvious that after designing a monumental repository for contemporary art, he should turn his hand to the trifling matter of a fashion accessory. Along with other selected ‘iconoclasts’ from the world of fashion, art and design, Gehry was tasked by French luxury goods purveyor Louis Vuitton to design a bespoke limited edition ‘piece’. One of the most depressing illustrations of how far architecture has lost its grip on reality is Frank Gehry’s new handbag. In this editorial from AR’s November 2014 issue, AR Editor Catherine Slessor uses the opening of Frank Gehry's Fondation Louis Vuitton as occasion to examine the split that has developed within the architectural profession, musing " On how architecture can be either manifestation of vanity or source of social transformation." ![]() ArchDaily is continuing our partnership with The Architectural Review, bringing you short introductions to the themes of the magazine’s monthly editions.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |